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In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.

Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.

Git centers around a film director who, in the middle of starting his next screenplay, remembers a promise he'd made ten years earlier.

Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.

A peacock appears on the island, with no clear explanation or motivation.

And the tango, a very un-Korean pasttime, makes a striking appearance in the film.

Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.

(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.

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